DOHEE KIM
Criticism
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These critical texts examine Dohee Kim’s practice through the lenses of bodily sensation, materiality, and experiential space.
Written by critics, curators, and artists across disciplines, the essays engage with her work as a sustained inquiry into perception, resonance, and lived experience.
2025 ⟪The Constant State of Emergency, or Its Reverse⟫, Yang Hyosil (Critic)
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2024 ⟪When I Touched It with My Hands, It Was a Soft Mass of Light⟫, Yang Hyosil (Critic)
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2024 ⟪Toward the Origin of Foundational Art: Into the Beam of Light in Black Rock
— Focusing on Dohee Kim’s Solo Exhibition The Sound of Light Surface⟫, Kim Namsoo (Choreography Critic)
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2024 ⟪A Macro-Critical Attempt on Artist Dohee Kim⟫, Hong Kai (Critic)
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2024 ⟪Experiencing a Transformed Space that Breaks the Boundaries of Vision
— Dohee Kim · The Sound of Light Surface⟫, Do Byunghoon (Artist, Critic)
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2023 ⟪Artist Dohee Kim: The Narrative of Direct Experience⟫, Koo Nayeon (Writer)
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2022 ⟪A Metallurgist Who “Clangs” Inorganic Life: Artist Dohee Kim⟫, Kim Namsoo (Choreography Critic)
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2022 ⟪Drifting and Rehearsing the Body: An Intimate Inquiry Approaching Existence
— On Dohee Kim⟫, (Artist Monograph / Critical Essay), Choi Yoonjung (Curator, Critic)
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2018 ⟪From Drifting and Crossing to Resonance⟫, Choi Yoonjung (Curator, Critic)
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2017 ⟪The Ethics of Encounter⟫, Hong Jiseok (Critic)
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2011 ⟪An Artist of Symptoms⟫, Kim Wonbang (Critic)
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2010 ⟪You’re the First Person Who’s Asked Me This While Walking Down the Street…⟫, Kim Kyung-ju (Poet)
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2010 ⟪A Space for the Dissolution of Frames⟫, Do Byunghoon (Artist, Critic)
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2006 ⟪Crazy Tree, and Synchroid 60⟫, Oh Sang-gil (Artist, Critic)